She has the best dresses.
“António Zambujo briefly joined her for a gorgeously understated duet towards the end of the evening. It was a shame that he didn’t stay longer. Gentle and unassuming, he could almost be Portugal’s version of the great Chico Buarque.” - The London Times’s review of Ana Moura at The Barbican.
Check out Zambujo’s album Guia on iTunes!
Ana Moura live review on Connect Savannah: “an exquisite vocalist and riveting performer”
Moura performs at Richmond, VA’s Modlin Center for the Arts this Wednesday, and at Hopkins Center for the Arts, Dartmouth College on Thursday!
The Minneapolis Star Tribune says Ana Moura was “a deliciously dark princess” at the Dakota Jazz Club.
Moura plays the Carolina Theatre of Durham, NC on Friday. Her two Savannah Music Festival shows on the weekend are SOLD OUT.
Listen to Leva-me aos Fados on iTunes.
ANA MOURA “Caso arrumado” live @ City Winery (New York March 18, 2013) (by Raul Romero)
"…This is a voice that could make men do anything – and regret it.
And Moura knows how to deliver. She does a sexy sashay across the stage while singing in the voice of a wounded innocent, an irresistible combination. Even in upbeat songs she seems to bare her heart and soul, establishing an immediate and visceral connection to her audience, then drawing them deeper into the music by inviting them to clap along. In its purest form, fado is a participatory experience, with listeners expected to react noisily. Moura takes that to a whole new level, captivating a large audience with open arms and a beguiling combination of sophistication and vulnerability…
The audience was on its feet by the time Moura waltzed off the stage, blowing kisses and waving goodbye like everyone in the audience was her personal friend. If there were any hearts still not won over, she captured them by coming back for an encore that opened with an incredibly soulful “Good night, Cleveland…thank you, Cleveland.” Even in a town where a million singers have closed shows with those lines, it was a stirring, heartfelt moment.”
“Why is it that Fado, the traditional soulful music of Portugal, has been embraced by audiences around the world? “I think more people are trying to discover new musical sounds that can make them feel different things and Fado has [a way of doing that],” says Fado superstar Ana Moura. On Friday, March 22nd beginning at 7:30 pm in Gartner Auditorium, Ana Moura will share the music from her latest album Desfado and other traditional Fado songs as part of the Cleveland Museum of Art’s VIVA! & Gala series.
We spoke to Ana Moura by telephone in California, and talked about her new album, growing up in a musical family, and her past musical projects with the Rolling Stones and Prince…
Mike Telin: Did you grow up in a musical family?
AM: Yes, my family sang Fado and other styles of traditional music. My father plays guitar and sings and my mother also sings. All of my mother’s family, her sisters and my grandmother all sing quite well, but they never did it professionally. When I was very little, my weekends were spent with my parents and their friends jamming, my father playing guitar and everyone singing together. My first contact with Fado came from there…”
“Some people just aren’t happy unless they’re sad. For them, there’s only one kind of music: fado.
"It’s a way to express your feelings, your soul," said Portuguese native Ana Moura, who plays Cleveland Museum of Art’s Gartner Auditorium at 7:30 p.m. Friday. “It’s kind of Portuguese soul music. It’s usually related to sad feelings.”
For Tickets: http://ow.ly/jdt1e
"Leva me aos Fados" on iTunes: http://ow.ly/jdtA0
Ana Moura featured in New York Daily News. Her City Winery concert on Monday is SOLD OUT!
Check out her live album Coliseu.